Just 3 days ago, I witnessed two other Singaporean contestants, Olivia Cho and Stella Seah make it through the first round of auditions in Sing! China（中国好声音）, the first being Joanna Dong. It was such an ecstatic moment that I almost let out a squeal.
However, it was not long till I found a similar thread amongst the background stories of these Singapore born contestants, especially for Joanna and Olivia. Both are aspiring singers who have hustled hard in Singapore’s music scene for a (very) long time, but eventually find it too difficult to make a living out of music in Singapore, let alone carve a name for themselves, and decides to get out in the world and see where that leads them.
A part of me feels incredibly proud of them, but another sees the heart wrenching side of these stories. Because of our population, Singapore’s music industry is small. I get that. But the even more disheartening reality is that there is little desire from Singaporeans to know of, to get acquainted with, to uplift our very own music talents.
Talents like the three mentioned above, and Nathan Hartono have done amazing gigs/ released incredible covers on Youtube long before the Sing! China programme. I’ve had the luxury of watching some of them before they had even starred in the programme. So I wonder why it always have to take a programme like Sing! China before most Singaporeans realise just how talented some of our musicians are.
Some may argue that that’s precisely the purpose of singing competitions and programmes! To put the spotlight on talents who would otherwise slip by, unnoticed by the crowd. In that case, why do several champions of high-publicity singing competitions in Singapore such as Singapore Idol still fall short in their music careers? Even as Nathan clinches second-runner up, still I hear plenty of critical commentaries from Singaporean friends about him. Putting aside individual preferences, is it that difficult for Singaporeans to applaud a fellow Singaporean for overcoming his individual strife to achieve such splendid results on the global stage? Also, for Singaporeans who are awed by Nathan’s performance on the show, will this support be continuous?
Recently, I’ve become more familiar with a few other less high-profile Singaporean bands and singers (though whether they are high profile/ low profile is entirely subjective), such as Inch Chua, Charlie Lim, Lin Ying, Marian Carmel, Jawn Chan, Monster Cat, 龚芝怡, 铃凯 etc. PS: Highly recommend YOU to check them out. Previously, I may have known of some of them, but I have only delved deeper into their stories in recent years. I dare not consider myself a music guru. I just know that when I listen to these Singaporean singer-songwriters, I feel as happy for having found good music as I feel immensely depressed about how it is possible for so many Singaporeans to not know of the existence of such talents in our home ground.
In fact, this extends way beyond the music scene. In the theatre scene, we have Kuo Pao Kun, Eleanor Wong, Tan Tarn How, Chong Tze Chien, Alvin Tan, Alfian Saat, Haresh Sharma, Oon Shu An and so many more theatre practitioners who have created a whole tapestry of the Singapore narrative in one way or another. A week ago, I caught a theatre play, Without Reason, written by a friend of mine. I definitely felt more overwhelmed by the fact that someone of our generation has taken theatre seriously enough and has painstakingly written and performed a play, than the subject-matter addressed in the play itself. Sim Yan Ying is definitely yet another up-and-coming theatre practitioner to look out for in the coming years!
In the literature scene, I have discovered, and sought emotional refuge in several Singaporean poets and authors like Jennifer Anne Champion, Cheryl Julia Wee, Krishna Udayasankar, Alvin Pang, Yeoh Jo-Ann and so many more. Let’s just say that I never knew how liberating it was to have the stories of ordinary Singaporeans shared, and by implication, my story, captured in printed ink. How nice it was, I thought, to have had HDBs and local streets as the background for the stories in the books to occur. If you would like to understand more about what I mean, I think this particular article, “What local poetry does that Shakespeare cannot” explains it pretty accurately.
On a random side note, I think that is where my anger for this year’s National Day song stems from. Having listened to songs written by Singaporean musicians, and having read plays and stories written by Singaporean playwrights and authors, I know for the matter that Singaporeans do have the words and the melodies to express who we are beyond hackneyed vocabularies like “one nation, undivided” or “everyone is family, friend, and neighbour”.
All that being said, this article is not meant for me to flaunt my knowledge of the local arts scene, or to patronise other Singaporeans who do not know so much. First, I know as much about the arts scene in Singapore as an entrepreneur would know about the start up scene in Singapore. I count myself very very lucky to have had exposure through school modules, inspiring friends who are carrying out their own artistic endeavours and a very culturally well-informed sister who works in an arts-related company.
Second, it would be naive for me to think that the arts scene in Singapore is as such because Singaporeans just don’t care. Maybe audience engagement is poor, maybe there is a lack in technical expertise, maybe Singaporeans are already accustomed to prioritising bread and butter before the arts. For the local talents that Singapore have in all fields, all I hope for is that whenever we spot one, we support one. Buy their books! Listen to their songs! Go to their plays! And most importantly, share the news, and make their brilliance known to even more people.
It’ll be a day after Singapore’s 52th National Day by the time I post this article. What do people actually mean when they say ‘I love Singapore’? ‘Nation’ is too abstract a term for me. ‘Love’ too. One thing’s for sure though – that a nation’s made up of its people. I’m proud that mine is inhabited by such a brilliant bunch, and for me at least, to love is to uplift.
So here’s a reminder to myself, and an earnest plea to you – uplift, uplift, UPLIFT.